Albrecht
Dürer was originally taught to draw by his father. As a
goldsmith to trade, he seems to have implanted his craft's appreciation
of fine detail into the young artist. Although Dürer, a
German from Nuremberg, became one of the greatest painters of
the Northern Renaissance, he is equally famous for his body
of graphic work in printmaking and illustration.
Dürer
was one of the first artists to view animals as a subject worthy
of attention. At the beginning of the 16th century, the natural
world of animals and plants was becoming a focus of interest
as explorers and travelers were returning from distant lands
with examples and illustrations of new species. Dürer shared
this fascination for the subject which he revealed in many of
his drawings, watercolors and prints.

A
Rhinoceros
(pen and ink drawing, 1515)
British
Museum
Dürer's
pen drawing of an Indian rhinoceros is a typical example of
his interest in animals. The image of the rhinoceros is based
on some notes and a sketch by an unknown artist. He never saw
the actual creature in real life which accounts for its anatomical
errors.

A
Rhinoceros
(woodcut print, 1515)
Dürer's
drawing of the rhinoceros served as a sketch for a woodcut print
of the beast. It is facing in the opposite direction as the
printing process reverses the image. Dürer enhances the
public mythology of the rhinoceros by drawing the folds of its
skin like plates of armour and adding an extra horn to its back.
A rough translation of the inscription above the image reads,
"On the first of May in the year 1513 AD, the powerful
King of Portugal, Manuel of Lisbon, brought such a living animal
from India, called the rhinoceros. This is an accurate representation.
It is the colour of a speckled tortoise, and is almost entirely
covered with thick scales. It is the size of an elephant but
has shorter legs and is almost invulnerable. It has a strong
pointed horn on the tip of its nose, which it sharpens on stones.
It is the mortal enemy of the elephant. The elephant is afraid
of the rhinoceros, for, when they meet, the rhinoceros charges
with its head between its front legs and rips open the elephant’s
stomach, against which the elephant is unable to defend itself.
The rhinoceros is so well-armed that the elephant cannot harm
it. It is said that the rhinoceros is fast, impetuous and cunning."
Drawing
a Rhino

A
Young Hare
(watercolour and gouache on paper, 1502))
Graphische
Sammlung Albertina, Vienna
Animals
were not generally considered to be appropriate subjects for
serious art until the eighteenth century when George
Stubbs elevated the genre by the sheer quality of his work.
Critics felt that the painting of animals was simply a demonstration
of technical skill, and as such did not aspire to the creative
vision of great art. Dürer demolishes this opinion in a
series of watercolors that have become hugely popular and frequently
reproduced images. ‘A Young Hare’ is one of the
best.
‘A
Young Hare’ is painted for the sheer enjoyment that Dürer
experienced in creating images and it is this pleasure that
we experience when looking at it. The life and vitality of the
creature is a testament to Dürer's skill as an artist as
it was probably drawn from a stuffed model. This is a virtuoso
piece of watercolor illustration that demonstrates the intensity
of an artist’s vision when executed with a total control
of his medium.
To
begin the work, Dürer lightly sketched the image and underpainted
it with some washes of brown watercolor. Then he patiently built
up the texture of the fur with a variety of dark and light brushstrokes
in both watercolor and gouache (an opaque form of the medium).
Gradually, the painting is brought to completion with the addition
of a few refined details such as the whiskers and the meticulous
reflection of a window in the creature's eye. Finally, the artist
dated and signed the work with his famous monogram - a mark
of his approval.
Ironically
it was Dürer's interest in the animal world that led to
his death. On a trip to the Netherlands in 1520, it is believed
that he contracted malaria in the swamps of Zeeland when traveling
to see a beached whale. He died in 1528 as a result of the disease.
Albrecht
Dürer Notes
